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Abdul Abdullah’s Cronulla triptych at the Art Gallery of NSW as part of the Biennale of Sydney.

What to see (and how to see it) at the 2026 Biennale of Sydney

A critic’s guide to the highlights of the event, which spreads from the Nepean River to Sydney Harbour.

  • Joanna Mendelssohn

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Tony Albert with with House of Namatjira (installation view).

Standing on giants: A new generation rises at the National Indigenous Art Triennial

After the Rain honours the trailblazers of the past while amplifying fresh voices.

  • Alex Burchmore
Ethel Carrick’s Rue Mouffetard (1910).

Fifty Aussie women artists who conquered Europe (and art history)

The AGNSW exhibition, Dangerously Modern, explores how 50 Australian women artists found liberation – and created groundbreaking works – in Europe.

  • Joanna Mendelssohn
Installation view of A Conversation with the Sun (Afterimage).

Mesmerising and beguiling, this MCA installation is an escape

Apichatpong Weerasethakul’s immersive video diary weaves together intimate moments of everyday life.

  • Alex Burchmore
Sculpture by the Sea

The people’s guide to Sculpture by the Sea: Art, heatstroke and guilt

What to see and what to skip at Sydney’s favourite free (for now) open-air art show.

  • Robert Moran
Alison Milyika Carroll, Director of NPY Women’s Council, speaking at Desert Mob Artist Talks.

The two million square kilometre art world supporting thousands

The Aboriginal art movement is Central Australia’s self-determined powerhouse.

  • Fiona Kelly McGregor
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James Nguyen’s Homeopathies_where new trees grow, 2025.

You’ve seen flags for this art show all over Sydney. But why?

The Neighbour at the Gate at the National Art School subverts the idea of the “blockbuster” exhibition.

  • Lara Chapman
Betty Kuntiwa Pumani with her major work Antara commissioned for Malatja-malatja at Bundanon, 2025.

Landmark show is a monumental tribute to family, Country and care

Betty Kuntiwa Pumani’s exhibition at the Bundanon Art Museum binds generations.

  • Ksenia Radchenko
Lin Zhipeng (aka No. 223), Layers, 2018.

Peeking into a desire: Exhibition unveils hidden worlds

The fine line between identification and voyeurism is an underlying theme of White Rabbit Gallery’s new show.

  • Alex Burchmore
Arcangelo Sassolino with In the end, the beginning (2025).

One of the most powerful artworks I’ve seen is on show in Tasmania

My arm hairs stand on end; an uneasy shock settles in. The whole thing takes about 15 minutes.

  • Michaela Boland