Pinned post from 3.10pm on Feb 2, 2026
Go to latestAll the winners – and the nominees
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Believe it or not, that’s another Grammy Awards down. It has been a long night of major wins, political protest and broken records. Oh, and there was a fair bit of good music, too.
Kendrick Lamar came out on top overall, winning a whopping five golden gramophones (he was nominated for nine). Meanwhile, Lady Gaga, Jelly Roll and Bad Bunny took home three each. Sabrina Carpenter performed as a sexy pilot, Tyler, The Creator did all sorts of hip-thrusting madness and Bruno Mars and Rosé channelled their inner Blues Brothers.
In other words, it was the wild night we were promised. So, here’s to another year packed with absolute bangers. We’ll see you at the next one, music lovers.
Where did the past few hours go? Another Grammys ceremony is done and dusted, and boy, did they pack a lot into it. To help you process it all, here are five of the most notable moments from the night.
Kendrick breaks records, not hearts
What a night for Kendrick Lamar. The US rapper broke the record for most Grammys won by a rap artist basically as soon as the official ceremony began, exceeding the previous record-holder Jay-Z. By the time the night ended, Lamar had well and truly secured his spot at the top of the ladder, having won record of the year alongside SZA with Luther. This took his all-time Grammy Awards total to 27. Well played, King Kendrick.
Cher steals the show
It’s impossible for Cher not to steal any show she’s in, really. As soon as she took the stage to accept the lifetime achievement award and to present the winner of record of the year, we knew we were in for a wild ride. Firstly, she nearly forgot to present the award altogether, forcing host Trevor Noah to get her back on track. Then, when she opened the winner envelope, she simply stopped speaking, later explaining that she was waiting for the name to appear on the teleprompter. And finally, she seemed to get Lamar’s name wrong when reading out the winner (I think she thought the winner was someone called Luther?). It was just pure comedy the whole way through.
Based on the number of times host Trevor Noah pulled Bad Bunny in view of the cameras throughout the ceremony, punters had a pretty good idea of who was taking home album of the year … and he did!
The Puerto Rican rapper, singer and record producer – whose real name is Benito Antonio Martinez Ocasio – has made history.
When the words left 2023 winner Harry Styles’ lips, Debi Tirar Mas Fotos (I Should Have Taken More Photos in English) became the first-ever Spanish-language album to win in the category in the Grammys’ 68-year history.
“I want to dedicate this award to all the people who had to leave their homeland, their country, to follow their dreams,” Bad Bunny said from the stage.
We are in the tail end of an almost four-hour-long broadcast now, so thank goodness Clipse, Pharrell Williams and Voices of Fire have been tapped for a visually stunning rendition of So Far Ahead.
Fake snow! Red lights! Fur coats! It’s that and the fact that album of the year is mere moments away from being announced that has our hearts racing.
What better way to receive a Grammy than from Cher? The absolute icon took the stage to receive the lifetime achievement award (more on that later) and to present the record of the year winner, which went to the one and only Kendrick Lamar for Luther (feat. SZA).
This takes Lamar’s all-time Grammy victories to 27, well and truly consolidating his record for most golden gramophones for a rap artist, which he secured only a few hours ago.
“This is what music is about – Luther Vandross,” Lamar said while accepting the award. “This is special for me, I gotta take my time. This is one of my favourite artists of all time. They granted us the privilege to do our version of it. When we got that clearance, I promise you we damn near all dropped a tear because we know how much they poured into that record. To be able to put our vocals on top of it, it proves we were somewhat worthy … They said no cursing, though. That was the only thing … Luther forever. Thank y’all.”
His collaborator SZA also briefly took the mic to once again touch upon the political turmoil currently pervading the US amid ongoing immigration raids.
Like last year, the in memoriam segment gets an extended remix this year, with Reba McEntire performing on the Grammys stage for the first time. After a few montages where Bruce Springsteen honours Brian Wilson and John Mayer farewells The Grateful Dead’s Bob Weir, the slides start sliding. There’s Connie Francis, Roy Ayers, Lalo Schifrin, Jimmy Cliff, Chuck Mangione, Steve Cropper, even Malcolm Jamal-Warner from The Cosby Show.
Then Post Malone, Chad Smith from the Red Hot Chili Peppers and Slash and Duff McKagan from Guns N’ Roses come out to honour Ozzy Osbourne. The camera pans to Kelly Osbourne in the audience. The slides keep going: Ace Frehley, David Johansen, and more.
Then Lauryn Hill, dressed in black, returns to the Grammys stage for the first time since 1999 to honour late R&B star D’Angelo. She performs Nothing Even Matters, her duet with D’Angelo from her iconic The Miseducation of Lauryn Hill, before Lucky Daye, Leon Thomas and Raphael Saadiq join in for a rendition of D’Angelo’s Brown Sugar. In the audience, Queen Latifah, Teyana Taylor and Olivia Dean can’t stop grooving.
It quickly segues into a tribute to Roberta Flack, as Hill dives into The First Time Ever I Saw Your Face. Jon Batiste and Leon Bridges and Lalah Hathaway and John Legend and Chaka Khan enter the stage and we’re still going here. I didn’t even spend this long at my abuela’s funeral. Wyclef Jean suddenly comes on and we have a semi-Fugees reunion (Pras is in jail, hopefully watching). The list of dead musicians is so long, they have to QR code the rest of it.
At 52, musician and record producer Pharrell Williams had a laundry list of achievements (did we mention he’s also Louis Vuitton’s men’s creative director?) to be read out before he could accept the Dr Dre global impact award on stage.
That’s something he isn’t necessarily a fan of, if his speech is anything to go by.
“It’s always awkward for me to sit through these montages … it’s like listening to your voicemail over your loudspeaker,” Williams told the audience before thanking Q-Tip, his “teacher”, and encouraging the audience to cheer for the rapper.
“To everyone who believes in the power of Black music, thank you so much,” he said.
“I’m so blessed to call this a job, I’ve never stopped loving this job, I’ve never stopped being a student.”
I love it when Tyler, The Creator gets weird. Actually, when is he not weird?
He took us on a journey tonight, beginning with Thought I Was Dead (which was broadcast in black-and-white, creating a surreal, old-school aesthetic). He rocked his signature Chromakopia hairdo, along with massive shoulder pads and a mask covering half of his face.
Then, all of a sudden, Regina King graced our screens. How did you get there so quickly, Regina? She played some kind of New York bodega owner having a heart-to-heart with Tyler.
But we weren’t allowed to settle into that for too long, oh no. Before we knew it, Tyler was in an entirely different outfit, this time a flaming red ensemble, and he’s thrusting his hips all over the stage to Sugar on My Tongue. Then there’s an explosion and Tyler is on the floor, seemingly crashed out.
Woof, even I’m tired reliving that. What must Tyler feel like now? It was a crazy performance and I’m the opposite of mad at it.
The artists aren’t letting us down tonight. They’re taking the opportunity to get political and call out the issues that matter. Billie Eilish followed in the steps of Bad Bunny, using her massive song of the year win to call out ICE and the immigration raids currently plaguing the US.
“I don’t feel I need to say anything other than that no one is illegal on stolen land,” she said after briefly saying how honoured she was to be there.
“It’s really hard to know what to say and what to do right now. I feel really hopeful in this room. We need to keep fighting and speaking up and protesting … F--- ICE is all I want to say, sorry.”
It was another stand-out moment in an evening punctuated by sombre political statements.
Back to the award, though: Eilish took home one of the “big four” tonight for her track Wildflower, which she wrote with her brother Finneas O’Connell. If I’m being honest, I was somewhat surprised initially – after all, she was up against Sabrina Carpenter, Kendrick Lamar and Bad Bunny. But then I took a step back and realised it’s Billie Eilish, one of the world’s greatest contemporary songwriters. No wonder.