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This was published 5 years ago
Talk about pulling a rabbit out of the hat.
For all the well-deserved scorn and scrutiny applied to the Hollywood Foreign Press Association and its funny little awards ceremony this year, for all that the HFPA’s membership may be self-serving, not-black and given to ridiculous (and possibly swag-influenced) choices in its nominations, when it came to actually handing out the gongs the Golden Globes largely got it right.
Whodathunk?
Emily in Paris, embarrassingly nominated in two categories, won nothing. Le tick.
With the win for best drama for Nomadland, best director winner Chloe Zhao completes a mighty impressive one-two that surely has her movie in prime position for the Oscars on April 25.
“Oh my God. Wow. I’m speechless. Thank you,” she begins.
But she’s barely 15 seconds into her speech when the music starts. Seriously? This is the final award of the night, and the biggest. Give us – give her – a break.
“Nomadland at its core is a pilgrimage through grief and healing,” she continues, undeterred by the virtual strings (I don’t know for sure, but I’m guessing the winners don’t hear the music). “So for everyone who has come through this beautiful and difficult journey at some point in their lives, this is for you.
The Hollywood Foreign Press Association has got so much wrong lately – as The Los Angeles Times helpfully pointed out last week – but its two top movie awards were right on the money.
After the strange selections of Once Upon A Time ... In Hollywood and Green Book as best motion picture comedy or musical in the last two years – neither were exactly what you’d call either a comedy or a musical – it rightly honoured a genuine comedy in Borat Subsequent Moviefilm this year. And in surprisingly strong year for motion picture dramas, Nomadland was also a deserving winner.
The category: Best motion picture – drama
The nominees:
The Father
Mank
Nomadland
Promising Young Woman
The Trial of the Chicago 7
Winner: Nomadland
And the award for best introduction of a guest presenter goes to ... Amy Poehler, who describes Joaquin Phoenix as “a former Mouseketeer and all-round silly billy”.
I don’t now who wrote that, but it’s the funniest line of the night.
The category: Best performance by an actress in a motion picture – drama
The nominees:
Viola Davis, Ma Rainey’s Black Bottom
Andra Day, The United States vs. Billie Holiday
Vanessa Kirby, Pieces of a Woman
Frances McDormand, Nomadland
Carey Mulligan, Promising Young Woman
Winner: Andra Day, The United States vs. Billie Holiday
Look, he’s in Sydney with wife Isla Fisher, so can we maybe claim Sacha Baron Cohen as an honourable Australian at this stage?
In accepting for best comedy film he says, “This movie couldn’t have been possible without my co-star, a fresh new talent who came from nowhere and turned out to be a comedy genius.”
He’s talking Maria Bakalova, right? Wrong.
“I’m talking of course about Rudy Giuliani.” On the couch beside him, resplendent in her customary bright pink, Isla is in stitches.
It’s a moment of history as Hollywood honours a Chinese director in Nomadland’s Chloé Zhao. Beijing born, she went to school in London and Los Angeles and has emerged as poetic cinematic voice telling stories about America’s heartland. She shot Nomadland travelling through the Mid West and surrounding Frances McDormand largely with real life nomads playing versions of themselves. A richly deserved award. Is there anyone who can stop her winning at the Oscars?
Celebrities, they’re just like us. And when it comes to this year’s Golden Globes, that meant ditching the fancy pyjamas and loungewear and actually getting dressed.
Coinciding with the opening day of Paris Fashion Week, itself also a largely digital affair, the red carpet was a pastiche of at-home looks and high-voltage glam for those lucky enough to be presenting awards at one of the two broadcasting sites in Los Angeles and New York.
If there was one look that exemplified the desire for escapism and fantasy so desperately needed in Hollywood right now (Los Angeles county reported 1662 new COVID-19 infections on February 27), it was Cynthia Erivo’s lime green Valentino with matching silver skyscraper heels. Or perhaps it was the return of the “fairytale gowns” of nominees Kaley Cuoco and Amanda Seyfried, both in Oscar de la Renta, or Margot Robbie in black-and white Chanel, whose effortless hair and make-up struck the perfect balance between pandemic austerity and the need to give audiences some semblance of normalcy, at least for a few hours.
The category: Best performance by an actor in a motion picture – musical or comedy
The nominees:
Sacha Baron Cohen, Borat Subsequent Moviefilm
James Corden, The Prom
Lin-Manuel Miranda, Hamilton
Dev Patel, The Personal History of David Copperfield
Andy Samberg, Palm Springs
Winner: Sacha Baron Cohen, Borat Subsequent Moviefilm