Jane Sullivan is a books columnist and reviewer for The Sydney Morning Herald and The Age.
The author of The Dressmaker has written a book about ageing, which she gleefully says cannot be done gracefully.
If they’d had social media in the interwar years, poet Ezra Pound would have had a huge following – and he’d also have been cancelled dozens of times
In the early 1970s, there was talk of paying writers a guaranteed minimum income – the same rate as federal backbenchers.
If you want a flashy romance with all the stops out, go and see the film. But if you want a darker, more complex story that echoes down the generations, read the book.
It only spanned nine years, but this era continues to elicit sighs of recognition, inspiring writers and delighting readers.
Laila Lalami’s greatly acclaimed The Dream Hotel imagines a terrifying era of data colonialism.
“I have an exciting idea that could help your book gain some serious traction,” the email read. But it wasn’t what it at first seemed.
Forget the cliche of the author on a laptop at a coffee shop – some of the most renowned writers wrote their greatest works in unexpected places.
The acclaimed author is also an artist, has run a ranch, trained horses, done carpentry, played jazz guitar and mended musical instruments.
Despite laments from cultural commentators, the book has been remarkably chirpy for a species constantly threatened with extinction.