Bridget Davies is an award-winning mezzo-soprano and journalist.
Spectacular and lush, Flora is a major new collaboration between Bangarra and The Australian Ballet.
Featuring one of the most parodied songs in the English language, this is the most joyous Gilbert and Sullivan work around.
Every now and again Melbourne’s indie theatre scene throws up something destined for a bigger stage. I hope that’s the case with Harrison Clark’s Sabotage.
In the opening moments of Much Ado About Nothing at MTC, it looked like we were in for a rough night. But this new spin on a classic is undeniably brilliant.
Emma Louise Pursey’s firebrand delivery emphasises the relentlessness with which Joy Hester seized life.
The first full-length narrative production commissioned by The Australian Ballet in more than 20 years is a stunning all-round achievement.
With a theme leaning so heavily on music, it’s not a surprise The Children’s Bach was adapted into an opera – but does it keep its magic when taken off the page?
It would appear that & Juliet has been pipped at the post by Six the Musical for the poppiest show ever inspired by the 16th century.
Opera Australia staging of Puccini’s opera at Margaret Court Arena mostly paid off, plus New Zealand jazz pianist Jonathan Crayford hits Melbourne.
One of opera’s most famous ‘mad scenes’ is on show in Melbourne Opera’s production of Lucia di Lammermoor.