Andrew Fuhrmann is a dance critic for The Age.
Beyond the Neck underscores the importance of memorialising, reflecting upon, and grappling with the terror and the trauma of public violence at scale.
Spectacular and lush, Flora is a major new collaboration between Bangarra and The Australian Ballet.
The 38-year-old American singer-songwriter’s The Tits Out Tour feels like a reclamation of her identity and music.
La Mama springs back to life with the opener of its 2026 season, 月を見る夜 Moongazing – a bilingual play written by Maki Morita modelled after the aesthetics of Noh theatre.
Featuring one of the most parodied songs in the English language, this is the most joyous Gilbert and Sullivan work around.
Australian Open is a queer domestic comedy that serves up aces of absurdity, rapid-fire volleys of wit, and heavy groundstrokes of camp and cringe.
The original Hans Christian Andersen tale involves a girl enamoured with a pair of red shoes – Meow Meow’s version offers a new spin on things.
In the opening moments of Much Ado About Nothing at MTC, it looked like we were in for a rough night. But this new spin on a classic is undeniably brilliant.
The star performer is enchanting, even when rising from a trapdoor on a toilet throne, signing a roll and tossing it into the audience.
Rebecca at Melbourne Theatre Company features a formidable cast and a script that allows the seeds of this legendary romantic thriller to bloom into morbid flower.